Dispatch: Sequoia

When you’re about to meet the one of the largest living organisms on the planet you should get up early.

Stretch. Meditate. Component Coffee Lab in Visalia. Fuel up. Head out.

The climb. Get to 6000 feet before the temperature is 107. Tonya the Ranger is less exuberant than I’ve grown accustomed to. But it’s hot up here and the uniform is not great for heat. A poly-cotton blend. No doubt. We can’t confirm. She suggests a water feature in Kings Canyon (again, the heat) and the path to the really big, old trees. We had been given a hot tip from Gordon at an REI in Berkeley to see a really big rock as well. Hopefully all before sundown.

First stop: falls. Snow melts up the mountain makes for frigid wading. Scratch the surface of the bark field recording. Back through the canyon. Pull over for a fiercely determined selfie. Enough of this. We’re late for the trees. They’ve been waiting since before Jesus and Muhammad since a couple centuries after Siddhartha sat under a Bodhi tree or the Greeks began to honor Dionysos in festival. Since all that subsequent art and practices.

That’s when this tree seeded.

Oh.

And then about 100 years ago a small human labeled this really big tree “General Sherman” who scorched the Earth to save a country that came into existence during the last 2” of rings in this tree’s age. Scorched earth in the Pacific Northwest. In the Southwest. The victims of the current campaign litter the parks. “General”s “Sherman” and “Grant” and comrades shake their heads in their own time waiting for us to depart from this amusement park made to marvel at what is not for our amusement. Before the park the cavalry was sent in to protect the trees from humans. Even then they knew: it’s the humans that will get you, every time.

It’s not for us.

“Oh my”s exhausted we head to Moro rock. An ascent that makes you dizzy. At the top: a view that quivers the legs. Sunset in 360 at 6713 feet. Good thing we have the GoPro.

The red giant slivers down behind the crest and on to other lands. We applaud it’s awesome departure.

Not amused.

Hours down the mountain. Head full of hairpin turns. Legs still shaking. Steadied by marvel and late-night talking about what next? Is it all as small as naming a tree after a human?

Kings Canyon

Sequoia Bark Texture Detail

Sequoia Bark Texture Detail

(L-R) Aoshuang, Tata, Afsoon, Espii

Sunset at 6713 feet

Dispatch: Travel Days 101.2

Rohnert Park to Visalia. 266 miles.

But - wait. First a diner in Berkeley and reunion with tech friends. All the smiley people. And animated discussion of AR, VR, XR, IRL - all the realities - and what they look like. And what they do and why we’ll keep doing them.

Return to 101. Farmland and stuffland is all from here to there. Irrigate for agro. It’s 107 degrees at the gas station. Green farmland, white big boxland and dry, flammable beige in between. The in between being the primary color. $15 for 3 gallons unleaded. 30¢ for one gallon H2O. The whiff of water wars in the distance.

Keep driving. Must see those big trees. Why? Because they’re big? Don’t question my twisted sense of motivation. Highs of a different kind have motored all sorts of obsessive engulfing driving across this too-big-for one-national-park-land. This is an inheritance. Gotta catch them all.

Sequioa. Kings Highway. Climbing 1000, 2000, 3000. Temperature drops with each 1k feet. At 4k it’s only 100 degrees. 6 - 87. Clear and cool.

These giants. Fists of gods touching down. Golden Gate: we did that. Burj Khalifa - designed and constructed by a human. Build big and be comforted. But this mystery. Beyond control. It denies the setting of our correct proportion. Put it away. 6000 feet.

Sunset. Blood red. Moon rise.

Tomorrow for the trees.

Dispatch: Travel Days

July 11. 503 miles. Direct.

Or take in this scenery:

Begin sitting on the shores of Smith River. This chillin’ time commences with a crackle-bang of limbs falling from the canopy. “Widowmakers,” the loggers call them. Followed by tranquility along the remaining undammed river in California. The view goes straight down to the rocks. Virtual meshes don’t know what to do with this clarity and map them onto the river-textured surface.

Gas up at Klamath who’s lands we’re on. Masks enforced. “Please respect our community.”

Drive exclusively on scenic highways wherever possible. Howland, Drury, Avenue of the Giants. 503 miles plus.

Stop and get out for one last jaunt. Walk barefoot to better hear the understory.

Back to 101. From dripping greens to dry yellows.

Round about 8:30: Willets. Pull in to El Chicano across from Taco Bell. Leave the chains behind. Luis takes our order encouraging veggie mole from his grandmother’s recipe. As he distributes the checks a conversation about Anime between those who don’t watch “like normal.”

Arrive Good Nite Inn in Rohnert Park at midnight. Under copycat art prints on the walls sleep like a blackout.

Dispatch: Prairie Creek/Humboldt/Yurok

Briana at the Hiouchi Visitor Center set us on a path. A visitor demanded to know where to get this picture found on a postcard. Or it didn’t happen.

We traveled out. Oooooohhh. Aaaaaahhh. And had to run back.

Two hours down to Arcata. Mist like the haze you always want but can never have. Twin Peaks becomes clear.

Collect our fourth and back to Prairie Creek.

Cathedral Grove.

oh my

A friend in San Francisco said: “You go there and you realize we don’t need Cathedrals.” Or malls. Or cement. Or much of anything.

Oh my.

”The scale doesn’t make sense.” -Afsoon. Because the roots go six feet deep and hold up 300.

”Have to retune my ears” -Espii. Because the bird song and buzz song is varied and layered and ah you can still hear that car.

”It totally makes me change my scale.” -Aoshuang because. Well. We’re very very small.

Canopy

Espii+Afsoon in the Cathedrals

Afsoon Capturing

Espii Collecting Fifi

Aoshuang Becoming Tree

Root Detail 1

Root Detail 2

Understory

Root detail 3

Visit to Cathedral

“Don’t take route 101 waste of gas”- Steven

Dispatch: Humboldt

Woke up yesterday morning Hidden in Springs along the Avenue of Giants in trees stewarded under the name Humboldt. A delayed flight granted time to meander through some pacific coast beauties. The mantra of this walk, “oh my… oh my… ohhhhhhh myyyy…” It demands to be murmured out loud. The older couple in the same beaming state of awe seemed to appreciate this as-articulate-as-it-gets voicing of our collective thought-stumbles.

Found Aoshuang and Afsoon up the north Coast of CA. Up the coast Steven at Thomas H Kuchel Visitor Center gave us all kinds of recommendations for big trees for low bottomed cars. Equipped with maps we kept on north.

The trees were calling so after some Thai in Town we jumped over to Jedediah Smith State Park. And oooooohed and awwwwed all the way. Until we got lost. Pro-tip: pin your parking spot. We hi-tailed it back past our photo-op cookie trail and found the vehicle at sundown.

Con Alma Dec '20

*|MC_PREVIEW_TEXT|*

View this email in your browser El alma que canta se sacude la quietud y la tristeza elevando su espíritu para exhalar esperanza. En aprecio por la creación inspirada por  la luz de la luna reflejada en nosotros da vuelo a las alas por cualquier medio posible. Estamos más allá de las palabras. The singing soul shakes off stillness  and sorrow lifting its spirit to exhale hope.  In appreciation for the creation we inspire  by the moonlight reflected off each other  that gives flight to the wing by any possible means. We are beyond words.* Magos Herrera performing in a video of Rojo Sol accompanied by Kevork Mourad's live painting captured at a rehearsal for Con Alma  Dear Every Body, Here we are.  I usually wait and send these emails when I have a season's worth of work. This time I have one work to offer. But it's perfect for the season. During our isolation Paola Prestini and Magos Herrera recorded an album called Con Alma. They worked with over 30 musicians in Mexico, Germany, Italy, Brazil and New York. The album was released last week so you can check it out now. I have joined Paola and Magos to create a live, international, communal event for the occasion. Remember album release parties? The Con Alma Project expands the circle of collaborators to include Kevork Mourad, Eamonn Farrell, Andy Carluccio and Liminal and is being anchored by a skeleton crew at National Sawdust with Charles Hagaman and Garth Macaleavey where we also got the band back together with James Fry and Alyssa Howard.  The broadcast can be seen by viewers in Mexico via Canal 22 and will be available in the US on WNET All-Arts. And for those without a TV, it can be streamed on National Sawdust's website. The hour-long broadcast is a kind of visualization of the album that weaves music videos created during the pandemic with animations Kevork will be live-painting, Magos performing (which causes the jaw to drop in astonished appreciation), and real-time conversations between Paola, Magos and artists heard on the album who are based in Germany, Amsterdam (thank you for being up so early/late!) and Harlem as well as thoughts from journalist Carmen Aristegui and New Museum Deputy Director Karen Wong. We've also designed sections for video content solicited from our potential audience via a social media campaign that asks to share your sound of isolation. And we will be experimenting with this prompt during the event as well. Since it is primarily seen by a TV audience we ask for words that describe your isolation via twitter and the hashtag #conalmaproject. It will give you an opportunity to add your voice to a textual chorus. I continue to be grateful for the opportunity to create situations that reinforce our mutual here-ness. While here, we can watch something together, listen to music and take a trip. In anticipation of the months ahead and out of respect for how fleeting here is, this is a good reminder. When not here I imagine being together. Happy to fill the time between now and then with the creations shared by this community. Thank you for being here and for your inspiration. In love and solidarity and making, Ashley  *at - for Con Alma. Thanks Luis Moreno for the translation help Con Alma  Created by Paola Prestini and Magos Herrera Directed by Ashley Tata  Sunday 12.13.20 @ 19.00 est More info at National Sawdust  Featuring: Paola Prestini Magos Herrera Kevork Mourad  Carmen Aristegui Viola Blache Marie-Charlotte Seidel Adedayo Perkovich Karen Wong   Video Design: Eamonn Farrell Production Engineer: Andy Carluccio Liminal  Production Team: James Fry Alyssa Howard Vanessa Rebeil Charles Hagaman Garth MacAleavey Presented by The Mexican Government through the Secretary of Culture, Canal 22, Radio Educación, ALL ARTS/WNET and National Sawdust Commissioned by Jill and Bill Steinberg  With additional support from The Virginia B. Toulmin Foundation, Geraldina Interiano and Scott W. Wise Kevork Mourad and Paola Prestini rehearsing Con Alma at National Sawdust ACTION SIGN AN OPEN LETTER TO THE INCOMING ADMINISTRATION TO ESTABLISH A SECRETARY OF ARTS & CULTURE READ AND SIGN HERE #BEANARTSHERO #SAVETHEARTS Planted This fall the first cohort of resident artists at Brooklyn Academy of Music was announced. BAM has been foundational to my development as an appreciator and practitioner of the arts. And I'm a bit overwhelmed to be a member of this thrilling group.  Myself and the following list of staggeringly talented collaborators are still working on creating a Virtual Reality proof-of-concept piece that combines a physical and sonic installation with a 10-minute VR experience. We've continued to be generously supported with time and space through my residency at 153 Coffey in Red Hook, BK and have received some financial support from BAM. If you have any interest in hearing more about this project please hit me up. Virtual Reali-Tree collaborators (yes, yes I did): Visual/In Real and Virtual Reality Designers: Afsoon Pajoufar + Aoshuang Zhang  Sound Designer/Composers and Performer: Eliza Bagg + Sadah Espii Proctor + Booker Stardrum And myself. So far. Copyright © *|CURRENT_YEAR|* *|LIST:COMPANY|*, All rights reserved. *|IFNOT:ARCHIVE_PAGE|* *|LIST:DESCRIPTION|* Our mailing address is: *|HTML:LIST_ADDRESS_HTML|* *|END:IF|* Want to change how you receive these emails? You can update your preferences or unsubscribe from this list. *|IF:REWARDS|* *|HTML:REWARDS|* *|END:IF|*

10K Birds August '20

*|MC_PREVIEW_TEXT|*

This is information about In Real Life theatrical/musical experiences Dear Every Body, The subject is correct. Live Performance attended by a live audience happening tomorrow (Thursday) and Friday 08.06 + 08.07 in this year of Covid19 2020.  Writing from PS21 (on land of the Mohican) in Chatham, NY - about 20 minutes Northeast of Hudson, NY.  Here with Alan Pierson and the wildly talented musicians of Alarm Will Sound working on their production of John Luther Adams's Ten Thousand Birds. One of the adaptations is for an open-air pavilion setting which can safely allow audience members and musicians to corporeally share this experience. Additionally, I'm designing and directing an ambulatory work on the grounds of the space entitled Follow me into the Fields. This work disperses performers along acres of trails marked by 10' tall, sky-blue pillars adorned with bird flight, a few frogs and access to calls and images. The invitation is to allow audience members to listen with their entire bodies and assemble sonic compositions of their individual making organized through their perception of the interplay of nature, musician, and documented artifacts. While I'm a major advocate for the live cyberworks that are being created and developed these days and continue to encourage anyone interested to pursue the furthering of this burgeoning form (I have a few more of these in the works. Go cyberformance! It's real, it's safe, it's live, there's a way to fund it: figure it out. Real arts lovers support safe cyberart - see below for access to ZoomOSC...) it is pretty thrilling to be talking to people about how bodies will move through time and space. Working on irl performance when the opportunity arises feels more necessary than ever. The portrait shot and all that it frames has been hyper active these last few months while the rest of the self has been in a freeze-frame. Inviting audience and artists to gather - to put their bodies on the line - is a big ask. And I am grateful and inspired by how Alarm and PS21 are diligently working to ensure that everyone is and feels safe. Perceiving this security is paramount. Only when the gathered see that the rule of 6' is being observed and that everyone around them has assembled en masque can the artist enter the flow of creative performance and the audience become an open receiver able to "see better" the world around them - their molecules altered. So here's to more of that. Here's to the future of the form which includes the integration of all that we're learning. And here's to supporting each other and demanding that our society respects and truly supports our artists in all their disciplines, lineages, experiences as we continue to forge a democratic ideal and the soul-deepening opportunities we create with every work we make. Information about each of these performances below.  If you're unable to make it irl but want to check out Follow me... I will be streaming a version on ig live: @tatatime_ on Thursday 8/6 @ 18.00 est And the Gala performance of Ten Thousand Birds will be streamed live on PS21s Facebook page on Friday 8/7 @ 19.00 est  Keep reading beyond information about this week's performance for links to works by a few other artists who's work can be experienced right now as well as a project I'm making with some incredible collaborators over the next few months. FOLLOW ME INTO THE FIELDS 08.06.20 @ 18.00 eastern On-Site + In-Person At PS21 Meet at Crellin Park 2940 Route 66 Chatham, NY 12037 And streaming on IG live @tatatime_   TEN THOUSAND BIRDS 08.07.20 @ 16.00 eastern On-Site + In-Person At PS21 2980 Route 66 Chatham, NY 12037 Tickets & @ 19.00 eastern as a part of PS21s Gala (in person) and streaming via PS21s Facebook Page TEN THOUSAND BIRDS is based on the songs of birds that are native to, or migrate through, the area in which the piece is performed. Inspired by birdsong, composer John Luther Adams connects nature and music in subtle yet profound ways. The performance, directed by conductor Alan Pierson and opera director Ashley Tata, transforms PS21’s open-air setting; as the birdsongs become music, the entire surroundings become a performance space, blurring the lines between human creativity and natural phenomena. “One of my greatest hopes for my music is that it may be of use. So I’m thrilled that Alan [Alan Pierson, Alarm Will Sound Artistic Director and Conductor] and the musicians of Alarm Will Sound have found such a creative use for Ten Thousand Birds. At this difficult moment, it’s more import- ant than ever for us to remember our connections with the larger-than-human world, and to celebrate the never-end- ing music of this miraculous planet that is our one and only home.” –John Luther Adams, about this upcoming performance John Luther Adams, Ten Thousand Birds  Conceived and designed by Alan Pierson  Directed by Alan Pierson with Ashley Tata  Production design by Gavin Chuck  Staging by Peter Ferry ALARM WILL SOUND PERSONNEL John Romeri, flute Hayley Grainger, flute  Christa Robinson, oboe  Marianne Gythfeldt, clarinet  Elisabeth Stimpert, clarinets  Michael Harley, bassoon  Laura Weiner, horn Tim Leopold, trumpet  Hakeem Bilal, trombone  Jeffrey Irving, percussion  Eric Poland, percussion  Matt Smallcomb, percussion  John Orfe, piano, keyboards  Courtney Orlando, violin  Chris Otto, violin Dana Kelley, viola Jay Campbell, cello Logan Coale, bass Miles Brown, bass Alan Pierson, conductor and Artistic Director Gavin Chuck, Executive Director Annie Toth, General Manager Jason Varvaro, Production Manager Peter Ferry, Assistant Director of Artistic Planning  Chihiro Shibayama, Librarian PS21 STAFF Elena Siyanko, Executive Director; Kelly Mackerer, Operations Director; Nina Mankin, Development Director; Kelsie Qua, Administrative Associate; Sandy Cleary, Producing Associate; Oleg Balitskiy, Lead Technician; Delia Ernst, Electrician; Connor Martin, Audio Engineer; Liz Connell, Stagehand CURRENT INSPIRATION Bird-related: Kerry James Marhsall's Black and part Black Birds in America at Zwirner. Online studio visit accessed here Theater in Quarantine Joshua William Gelb and collaborator Katie Rose McLaughlin and guests have been creating regular works that challenge what one can do in and around the closet. Super inspiring. Check it out. Currently being presented by Invisible Dog. Thanks, ID! Cairns Gelsey Bell has created a sonic experience on the grounds of Greenwood Cemetery in Brooklyn. Maybe I'll see some of y'all here. Presented by HERE Arts Center. Thanks, HERE! And while you're over at the HERE site - check out thingNY's A Series of Landscapes  Promoting the good people of thingNY because I adore and am regularly inspired by each of them. And am currently collaborating with Jeff Young and Paul Pinto on their series, Motivators. This is a semi-regularly scheduled and performed program. Check the link and sign up for more info. New Phase Collective has been formed by some cross-disciplinary makers and I'm really excited about what they have coming up. They describe the collective as "a collaboration between a people and their time." Going on: "These ten artists ranging in theatrical discipline are following the evolving truths of what performance is now, has always been, and can be in the future. This ongoing exploration exists inside a redefined landscape of collective vision, communal health, and shared performance." They have a work this weekend. I'm planning to attend the 2pm on Saturday. Maybe see you there. THE COLLECTIVE Kindall Almond, Jacob Basri, Zach Blumner, Ebony Burton, Henry Nettleton, Lexx Onigbanjo, Leia Squillace, Tyler Thomas, Anton Volovsek, and Christopher Wong For making works of Cyber: WunderKind Andy Carluccio has started a company, Liminal Entertainment. We call him President Carluccio now. #upgrade. His program ZoomOSC which is what he coded for our production of Mad Forest is available for free via this website. As well as a bunch of other really fun toys they're madly developing. Thrilled to be in this laboratory of mad scientists. Part of my residency at Coffey Studios is built around coming up with fun theatrical problems for Andy and team to solve. I'm thrilled to have a few opportunities in educational institutions this fall to problematize. As well as a project with novelist and playwright Chana Porter which I hope to be able to share end of September. If you have other experiments in mind, holler. Let's make a combustion. And finally   A Seed. Myself and the following list of staggeringly talented collaborators are working on creating a Virtual Reality proof-of-concept piece that combines a physical and sonic installation with a 10-minute VR experience. Our goal is to be able to have an opening (physically distanced, en masque) in late September/early October at 153 Coffey in Red Hook, BK. In order to help fund this work I will be making an ask. Seed planted. If you may be interested in hearing more I'm happy to share design and conceptual ideas, expound upon the vision and tell you more about why this work now. In brief: it's about Tree and the experiment is to begin to access the un-human-fathomable, apophatic, scale of time experienced by these magnificent and precious creatures. And allow us to contemplate why we should be working as hard as possible to allow these beings to do the thing they were put on this planet to do.  If you're a person who has historically supported institutions and are wondering where the artist support has gone while the institutions try to maintain their overhead, maybe consider cutting out the middle-tution and giving directly to the artists who are making the work with or without institutional and governmental support. For now.  Virtual Reali-Tree collaborators (yes, yes I did): Visual/In Real and Virtual Reality Designers: Afsoon Pajoufar + Kris Layng/Parallux Sound Designer/Composers and Performer: Daniel Wohl + Eliza Bagg + Sadah Espii Proctor And myself. So far. Find Out More Copyright © *|CURRENT_YEAR|* *|LIST:COMPANY|*, All rights reserved. *|IFNOT:ARCHIVE_PAGE|* *|LIST:DESCRIPTION|* Our mailing address is: *|HTML:LIST_ADDRESS_HTML|* *|END:IF|* Want to change how you receive these emails? You can update your preferences or unsubscribe from this list. *|IF:REWARDS|* *|HTML:REWARDS|* *|END:IF|*

The Boot July '20

*|MC_PREVIEW_TEXT|*

View this email in your browser Summer 2020:  That day we spent on Zoom except when we wore masks and took to the streets A quick note - because there's a lot going on - to alert anyone interested that I've spent the last couple of weeks working on an online experience for Beth Morrison Projects. It is in the mode of a sort of virtual club. I'm humbled by the artists who will be performing these four shows (two tonight, two tomorrow). And by the collaborators who have rejoined to make more of these online experiments - all of whom are mad geniuses. So if you have 60 minutes tonight or tomorrow night, come check out The Boot - the bar at the final exit before the last toll at the edge of the meta-verse. Info on that and a few other upcoming projects, as well as some recent articles and a trove of work by other artists making right now, below. Wishing you all health and strength. Keep making. Keep up the fight. In Love and Solidarity. at The Boot is a quick and dirty experiment in interactive online theater that we've been engaging in the last couple of weeks. I'm thrilled that Beth Morrison Projects has joined the likes of Fisher Center and TFANA in putting energy towards virtual works of theater (see NYTimes article on the theme below).  We're excited to invite you to this space, share the possibilities we've been creating as well as some great tunes and performances by a stellar list of musical artists. The list below includes links to works by the artists who have agreed to jump into the cyberwaters with us. Do check them out. They're incredible. Follow them, donate to them, become super fans. Listen and dance to them. Tip your musicians. THE BOOT 07.09.20 + 07.10.20  @ 20.00h + 22.00h eastern runtime 60min TICKETS Written and Directed by Ashley Tata Featuring performances by:  Isaiah Robinson Lauren Worsham (Sky-Pony) Joseph Keckler Sol and the Tribu The Hogstad Brothers (feat. remixes of The Institute of Flyer Learning) Design by Afsoon Pajoufar Additional Sound + Music by Paul Pinto 3D Animation by Bryce Cutler Stage Management by Vanessa C. Hart Technical Direction by Chris Swetcky Assistant Stage Manager Moe Shahrooz COME OUT AND PLAY Next week begins a residency at 153 Coffey. Will start to develop a Virtual Reality opera. If you feel comfortable socially distancing, put on a mask and come on over to Red Hook, BK. We can work on stuff. Or  take a break and look at the water. Or plan a next course of action. UPCOMING IN REAL LIFE PERFORMANCE ALERT:   In August I'll be working with Alan Pierson and Alarm Will Sound on an environmental adaptation of John Luther Adams's Ten-Thousand Birds for the opening weekend of PS21's summer season in Chatham, NY. Can't even begin to articulate how thrilled I am at the prospect of making something in the physical world again (outside, with masks on). If you're able to come up for any of these performances, please do. PS21 is fashioning itself to be a refuge for performance makers in a non-artist-bailout country. Check out more about them HERE. And a video that Alan made of a section of 10K Birds in isolation HERE. #keepyourmaskson #nosecondwave RECENT PRESS AND STUFF Recent article from the NYTimes This is Theater in 2020. Mad, Mad Forest shout outs throughout. Pull quote of pride: "embodied with aching intensity by its young cast in their separate frames"  The Making of Mad Forest Webinar with the team of Mad Forest from a few weeks back NYTimes Review of Mad Forest Segal Talk with Frank Hentschker post-Mad Forest FRIENDS ENABLE FRIENDS TO MAKE   A couple things I've seen or that are coming up from the circle of makers I am privileged to find myself holding virtual hands with.   ThingNY continues to make live cyber operas for the internet. And they're fantastic. Next one is this weekend 7/10 + 7/11 brought to us by HERE. And, yes, Paul Pinto is performing and creating there as well as having made incredible music for Isaiah Robinson to sing in The Boot. Paul is as connected as the internet. Tickets based on a sliding scale HERE.   For more Isaiah, and Sol - both of whom you'll meet at The Boot - check out Ted Hearne's isolation-borne video of his opera Place. And then go and get the album so you can listen when you're out and about. WNYC'S Green Space premiere of the video HERE   And DJ and filmmaker Hans Augustave (aka DJ Hanzi) has just released a short film/visual poem he made called "Before I Knew" It's a powerful and vulnerable work featuring some amazing artists of all media. Their handles are in the credits. I suggest following. Link to video HERE Black Lives Matter. Black Lives Matter. Black Lives Matter. Ally fatigue is not acceptable. After we've fought for 401 years to end systemic racism and white supremacy in all our institutions, relationships and interactions  we can talk fatigue. Here is a link to the PDF of BIPOC demands for White American Theater and the We See You W.A.T. website #weseeyou #dobetter Copyright © *|CURRENT_YEAR|* *|LIST:COMPANY|*, All rights reserved. *|IFNOT:ARCHIVE_PAGE|* *|LIST:DESCRIPTION|* Our mailing address is: *|HTML:LIST_ADDRESS_HTML|* *|END:IF|* Want to change how you receive these emails? You can update your preferences or unsubscribe from this list. *|IF:REWARDS|* *|HTML:REWARDS|* *|END:IF|*