Ash K. Tata Ash K. Tata

Dispatch: Joshua Tree - Lands of the Serrano, Chemehuevi, and Cahuilla

Up before sunrise. Before rooster crows. Stretch Rooster Peck.

Grab some goodies at Boo’s Organic Oven. Then on to the desert. At the entry gate, Jerry - a volunteer, no official ranger hat - offers me a route and is excited by my excitement. He illustrates the proposed journey with a family photo album that has pictures of he and his wife visiting the sites over the last 12 years. “Did you know,” he says, pointing to an image of a bird “that these birds can’t eat the lizards as is, so they hang them out to dry on the trees and then eat them.” “Like Lizard Jerky,” I say. “Exactly!”

“Jerry,” I ask, “Do they hang around waiting for their lizard to dry, or do they leave it in the oven and come back when the timer rings?” “I don’t know that I’ve been asked that! I don’t know!” Inquiring minds want to know, Jerry. He then palms me an object. “Don’t tell anyone I gave this to you.” I put it in my pocket “I won’t, Jerry. Thank you. I’m honored.”

Out to the desert. All of the trails are supposed to take 60 minutes or less. Strong recommendation from the Parks Department in this heat.

A now-familiar pattern presents: trees fallen and decayed yield life from and shelter. A being disperses in death. No longer consumed with living, growing, taking. The whole of what was self becomes offering in ceasing.

Petroglyphs carrying a message.

Shrubs scramble up against boulders finding shade for a few precious hours each day.

Crepuscular mammals find food during the bookends of day, burrowing into dry, dense fauna to pass the sun’s peaking.

The network is present. But the nodes are more widely dispersed than in the Redwoods.

Shortened shadow calls for shelter. Off to AZ.

Rainbows and flash-floods. Crack of thunder, downpour, door opens.

“An auspicious arrival!” an old friend shouts.

The pie from Boo’s survived the desert and the state-border crossing. It’s pretty freaking great.

Read More
Ash K. Tata Ash K. Tata

Dispatch: Somewhere near Barstow

Rooftop brunch by the train. Food before flight. Fresno. Hugs and 666 and goodbyes for now.
And then there were two.

South on 101 towards Palm Springs. Traffic, traffic, traffic. Ah the thrill of “coming back” “flipping the light switch back on” get this economy moving.

We were somewhere around Barstow on the edge of the desert.

And stuck in traffic.

A second sequence of hugs and departure. Til.

Return to solitude. Car rolls to Joshua Tree. Arrive before the sun sets and the jewel of this destination: a hammock swaying in desert wind as the sun sets under a crescent moon. Howling.

Joshua Tree Moonrise from a hammock

Joshua Tree Moonrise from a hammock

Read More
Ash K. Tata Ash K. Tata

Dispatch: Sequoia

When you’re about to meet the one of the largest living organisms on the planet you should get up early.

Stretch. Meditate. Component Coffee Lab in Visalia. Fuel up. Head out.

The climb. Get to 6000 feet before the temperature is 107. Tonya the Ranger is less exuberant than I’ve grown accustomed to. But it’s hot up here and the uniform is not great for heat. A poly-cotton blend. No doubt. We can’t confirm. She suggests a water feature in Kings Canyon (again, the heat) and the path to the really big, old trees. We had been given a hot tip from Gordon at an REI in Berkeley to see a really big rock as well. Hopefully all before sundown.

First stop: falls. Snow melts up the mountain makes for frigid wading. Scratch the surface of the bark field recording. Back through the canyon. Pull over for a fiercely determined selfie. Enough of this. We’re late for the trees. They’ve been waiting since before Jesus and Muhammad since a couple centuries after Siddhartha sat under a Bodhi tree or the Greeks began to honor Dionysos in festival. Since all that subsequent art and practices.

That’s when this tree seeded.

Oh.

And then about 100 years ago a small human labeled this really big tree “General Sherman” who scorched the Earth to save a country that came into existence during the last 2” of rings in this tree’s age. Scorched earth in the Pacific Northwest. In the Southwest. The victims of the current campaign litter the parks. “General”s “Sherman” and “Grant” and comrades shake their heads in their own time waiting for us to depart from this amusement park made to marvel at what is not for our amusement. Before the park the cavalry was sent in to protect the trees from humans. Even then they knew: it’s the humans that will get you, every time.

It’s not for us.

“Oh my”s exhausted we head to Moro rock. An ascent that makes you dizzy. At the top: a view that quivers the legs. Sunset in 360 at 6713 feet. Good thing we have the GoPro.

The red giant slivers down behind the crest and on to other lands. We applaud it’s awesome departure.

Not amused.

Hours down the mountain. Head full of hairpin turns. Legs still shaking. Steadied by marvel and late-night talking about what next? Is it all as small as naming a tree after a human?

Read More
Ash K. Tata Ash K. Tata

Dispatch: Travel Days 101.2

Rohnert Park to Visalia. 266 miles.

But - wait. First a diner in Berkeley and reunion with tech friends. All the smiley people. And animated discussion of AR, VR, XR, IRL - all the realities - and what they look like. And what they do and why we’ll keep doing them.

Return to 101. Farmland and stuffland is all from here to there. Irrigate for agro. It’s 107 degrees at the gas station. Green farmland, white big boxland and dry, flammable beige in between. The in between being the primary color. $15 for 3 gallons unleaded. 30¢ for one gallon H2O. The whiff of water wars in the distance.

Keep driving. Must see those big trees. Why? Because they’re big? Don’t question my twisted sense of motivation. Highs of a different kind have motored all sorts of obsessive engulfing driving across this too-big-for one-national-park-land. This is an inheritance. Gotta catch them all.

Sequioa. Kings Highway. Climbing 1000, 2000, 3000. Temperature drops with each 1k feet. At 4k it’s only 100 degrees. 6 - 87. Clear and cool.

These giants. Fists of gods touching down. Golden Gate: we did that. Burj Khalifa - designed and constructed by a human. Build big and be comforted. But this mystery. Beyond control. It denies the setting of our correct proportion. Put it away. 6000 feet.

Sunset. Blood red. Moon rise.

Tomorrow for the trees.

Read More
Ash K. Tata Ash K. Tata

Dispatch: Travel Days

July 11. 503 miles. Direct.

Or take in this scenery:

Begin sitting on the shores of Smith River. This chillin’ time commences with a crackle-bang of limbs falling from the canopy. “Widowmakers,” the loggers call them. Followed by tranquility along the remaining undammed river in California. The view goes straight down to the rocks. Virtual meshes don’t know what to do with this clarity and map them onto the river-textured surface.

Gas up at Klamath who’s lands we’re on. Masks enforced. “Please respect our community.”

Drive exclusively on scenic highways wherever possible. Howland, Drury, Avenue of the Giants. 503 miles plus.

Stop and get out for one last jaunt. Walk barefoot to better hear the understory.

Back to 101. From dripping greens to dry yellows.

Round about 8:30: Willets. Pull in to El Chicano across from Taco Bell. Leave the chains behind. Luis takes our order encouraging veggie mole from his grandmother’s recipe. As he distributes the checks a conversation about Anime between those who don’t watch “like normal.”

Arrive Good Nite Inn in Rohnert Park at midnight. Under copycat art prints on the walls sleep like a blackout.

Read More
Ash K. Tata Ash K. Tata

Dispatch: Prairie Creek/Humboldt/Yurok

Briana at the Hiouchi Visitor Center set us on a path. A visitor demanded to know where to get this picture found on a postcard. Or it didn’t happen.

We traveled out. Oooooohhh. Aaaaaahhh. And had to run back.

Two hours down to Arcata. Mist like the haze you always want but can never have. Twin Peaks becomes clear.

Collect our fourth and back to Prairie Creek.

Cathedral Grove.

oh my

A friend in San Francisco said: “You go there and you realize we don’t need Cathedrals.” Or malls. Or cement. Or much of anything.

Oh my.

”The scale doesn’t make sense.” -Afsoon. Because the roots go six feet deep and hold up 300.

”Have to retune my ears” -Espii. Because the bird song and buzz song is varied and layered and ah you can still hear that car.

”It totally makes me change my scale.” -Aoshuang because. Well. We’re very very small.

Read More
Ash K. Tata Ash K. Tata

Dispatch: Humboldt

Woke up yesterday morning Hidden in Springs along the Avenue of Giants in trees stewarded under the name Humboldt. A delayed flight granted time to meander through some pacific coast beauties. The mantra of this walk, “oh my… oh my… ohhhhhhh myyyy…” It demands to be murmured out loud. The older couple in the same beaming state of awe seemed to appreciate this as-articulate-as-it-gets voicing of our collective thought-stumbles.

Found Aoshuang and Afsoon up the north Coast of CA. Up the coast Steven at Thomas H Kuchel Visitor Center gave us all kinds of recommendations for big trees for low bottomed cars. Equipped with maps we kept on north.

The trees were calling so after some Thai in Town we jumped over to Jedediah Smith State Park. And oooooohed and awwwwed all the way. Until we got lost. Pro-tip: pin your parking spot. We hi-tailed it back past our photo-op cookie trail and found the vehicle at sundown.

Read More
Ash K. Tata Ash K. Tata

Con Alma Dec '20

*|MC:SUBJECT|*
View this email in your browser

El alma que canta se sacude la quietud
y la tristeza elevando su espíritu
para exhalar esperanza.
En aprecio por la creación inspirada
por  la luz de la luna reflejada en nosotros
da vuelo a las alas
por cualquier medio posible.
Estamos más allá de las palabras.


The singing soul shakes off stillness 
and sorrow lifting its spirit to exhale hope. 
In appreciation for the creation we inspire 
by the moonlight reflected off each other 
that gives flight to the wing
by any possible means.
We are beyond words.*

Magos Herrera performing in a video of Rojo Sol accompanied by Kevork Mourad's live painting captured at a rehearsal for Con Alma 
Dear Every Body,

Here we are. 

I usually wait and send these emails when I have a season's worth of work. This time I have one work to offer. But it's perfect for the season.

During our isolation Paola Prestini and Magos Herrera recorded an album called Con Alma. They worked with over 30 musicians in Mexico, Germany, Italy, Brazil and New York. The album was released last week so you can check it out now. I have joined Paola and Magos to create a live, international, communal event for the occasion. Remember album release parties?

The Con Alma Project expands the circle of collaborators to include Kevork Mourad, Eamonn Farrell, Andy Carluccio and Liminal and is being anchored by a skeleton crew at National Sawdust with Charles Hagaman and Garth Macaleavey where we also got the band back together with James Fry and Alyssa Howard. 

The broadcast can be seen by viewers in Mexico via Canal 22 and will be available in the US on WNET All-Arts. And for those without a TV, it can be streamed on National Sawdust's website.

The hour-long broadcast is a kind of visualization of the album that weaves music videos created during the pandemic with animations Kevork will be live-painting, Magos performing (which causes the jaw to drop in astonished appreciation), and real-time conversations between Paola, Magos and artists heard on the album who are based in Germany, Amsterdam (thank you for being up so early/late!) and Harlem as well as thoughts from journalist Carmen Aristegui and New Museum Deputy Director Karen Wong.

We've also designed sections for video content solicited from our potential audience via a social media campaign that asks to share your sound of isolation. And we will be experimenting with this prompt during the event as well. Since it is primarily seen by a TV audience we ask for words that describe your isolation via twitter and the hashtag #conalmaproject. It will give you an opportunity to add your voice to a textual chorus.


I continue to be grateful for the opportunity to create situations that reinforce our mutual here-ness. While here, we can watch something together, listen to music and take a trip. In anticipation of the months ahead and out of respect for how fleeting here is, this is a good reminder. When not here I imagine being together. Happy to fill the time between now and then with the creations shared by this community. Thank you for being here and for your inspiration.

In love and solidarity and making,

Ashley 
*at - for Con Alma. Thanks Luis Moreno for the translation help

Con Alma 

Created by Paola Prestini and Magos Herrera

Directed by Ashley Tata 

Sunday 12.13.20 @ 19.00 est
More info at National Sawdust 

Featuring:

Paola Prestini

Magos Herrera

Kevork Mourad 

Carmen Aristegui

Viola Blache

Marie-Charlotte Seidel

Adedayo Perkovich

Karen Wong
 

Video Design:

Eamonn Farrell

Production Engineer:

Andy Carluccio

Liminal 

Production Team:

James Fry

Alyssa Howard

Vanessa Rebeil

Charles Hagaman

Garth MacAleavey

Presented by The Mexican Government through the Secretary of Culture, Canal 22, Radio Educación, ALL ARTS/WNET and National Sawdust

Commissioned by Jill and Bill Steinberg 

With additional support from The Virginia B. Toulmin Foundation, Geraldina Interiano and Scott W. Wise

Kevork Mourad and Paola Prestini rehearsing Con Alma at National Sawdust
ACTION

SIGN AN OPEN LETTER TO THE INCOMING ADMINISTRATION TO ESTABLISH A SECRETARY OF ARTS & CULTURE
READ AND SIGN
HERE

#BEANARTSHERO
#SAVETHEARTS

Planted

This fall the first cohort of resident artists at Brooklyn Academy of Music was announced. BAM has been foundational to my development as an appreciator and practitioner of the arts. And I'm a bit overwhelmed to be a member of this thrilling group. 

Myself and the following list of staggeringly talented collaborators are still working on creating a Virtual Reality proof-of-concept piece that combines a physical and sonic installation with a 10-minute VR experience. We've continued to be generously supported with time and space through my residency at 153 Coffey in Red Hook, BK and have received some financial support from BAM. If you have any interest in hearing more about this project please hit me up.

Virtual Reali-Tree collaborators (yes, yes I did):

Visual/In Real and Virtual Reality Designers:
Afsoon Pajoufar + Aoshuang Zhang 

Sound Designer/Composers and Performer:
Eliza Bagg + Sadah Espii Proctor + Booker Stardrum

And myself.

So far.

Twitter
Facebook
Website
Copyright © *|CURRENT_YEAR|* *|LIST:COMPANY|*, All rights reserved.
*|IFNOT:ARCHIVE_PAGE|* *|LIST:DESCRIPTION|*

Our mailing address is:
*|HTML:LIST_ADDRESS_HTML|* *|END:IF|*

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list.

*|IF:REWARDS|* *|HTML:REWARDS|* *|END:IF|*
Read More

Latest Posts